Finished Sequence

Prelim Task

Wednesday, March 31, 2010

This blog is now CLOSED

I have had loads of fun working on this project, and am very happy to say that it is now completely finished!!

Thats all really

Goodbye xxx

Tuesday, March 30, 2010

The project is coming to a close...

The evaluation is done, which means we're coming to the end of this project. All there is left to do is to get the blogs finished and working properly.

For example,

  • I went through both blogs and made sure every post was labelled properly



  • Made sure that all photos, videos, and links on the blog work properly

  • Added anything I felt necessary to some posts
etc.

Sunday, March 28, 2010

Evaluation Question 1: In what ways does your media product use, develop or challenge forms and conventions of real media products?

We decided to make the opening sequence of an action film. Despite rarely getting much critical praise, action is one of the most popular and highest grossing genres of film, and has been a reliable source of income for the movie industry.


Action opening sequences often throw you straight into the action, often offering little or no clue regarding character or narrative, such as in The Bourne Identity (1988). Our film does exactly the same, not revealing who the two characters are, why they are there, or how one has come to be being hunted down by the other, but instead grabbing the attention of the audience with high paced music, fast movement, fast editing, guns, bad guys, and fights.




Blackout sticks to many conventions of the action genre, for example kidnap is often a theme, such as in Taken. Our use of camerawork and editing is typical of the genre, with faced paced cuts and lots of movement. In fact, we took shots directly from Casino Royale and Wolfman and used them in our own sequence.


Narrative

Tztetan  Todorov was a narrative theorist who examined hundreds of russian folk tales to try to find similarities between them, and came up with a theory that he believes can be applied to every story ever written. He proposed that each story is broken down into these 5 basic steps:

todorov







However, Blackout challenges this model, as the film opens with a chase and a kidnap, with no real equilibrium and not introducing the hero or the villain.

Narrative continued

Blackout follows a parallel narrative, cross cutting between Matt’s father trying to rescue him, and Matt trying to escape (similar to Finding Nemo). We have also used many binary opposites, as in Levi Strauss’ narrative theory, which says that important parts of the story always appear in pairs.

For example:

  • Matt is wearing appears terrified and runs through the house, while the kidnapper is very professional and composed, and walks up through the house.
  • The homeliness, safety and normality of the setting and the abnormality and danger of the event

    Form & Function

    The main function of a title sequence is to introduce character and narrative, and to inform the audience of the people involved with the film through the use of titles.


    We have chosen to place our titles both before and after the main opening sequence, such and in The Bourne Ultimatum, and more famously, the Bond films.

     

    Style

    In the opening part of the sequence, we use fast editing, lots of camera movement, and fast paced music to create a sense of excitement and danger in an otherwise normal and unexciting setting. Each shot is edited to about a second or less, and is matched together well to create a continuous sequence. Most shots are LS or MS in this part of the sequence, so that we can really get a sense of his movement, like in the airport chase in Casino Royale.




    When the kidnapper enters the house, the pace of the sequence slows, many of the shots are more tightly framed and the music becomes more tense, increasing the audiences awareness of Matt’s fear. The sequence feels much more like a stalker/thriller, despite the setting still appearing very normal and safe. The use of manual focus and tightly framed shots helps to withhold the identity of the kidnapper as he walks through the house, and the gradual build up of the music gives the sense increasing danger.


     This tension climaxes with the track across to Matt’s eyes, a technique also shown in Wolfman. The pace of the editing and the music speeds up again for the fight, another convention of action films, and again, is matched together well. We added the blur on the final shot in ourselves on Adobe Premiere CS3, which works well, as it looks like a focus pull (which we didn’t think of on the shoot).

    Evaluation Question 2: How does your media product represent particular social groups?

    Gender


    The two men in this sequence are represented very differently. The kidnapper is represented more stereotypically for an action films, than Matt. Men in action films are always expert fighters, never show any fear, and have guns, for example Jason Bourne or James Bond.




    While the kidnapper is wearing jeans and trainers, suggesting that he is young, and not a professional killer, he displays his strength and fighting ability when he kicks the door open, and in the fight scene. This is stereotypical of men in many films, and always in action films.


    Matt, on the other hand, shows absolute terror when being chased by a man with a gun, where usually a young man in that situation in an action film would try to fight him. This is more stereotypical of women in action films.



    He wears normal casual clothes, while the kidnapper wears all black, with a balaclava, emphasising the kidnapper’s superiority, and Matt’s vulnerability. Matt only attempts to fight once he is trapped in the final room, but the kidnapper beats him easily, not stereotypical to the genre. An example of something like this is the last fight scene in Tomorrow Never Dies between James Bond and Stamper.

    Evaluation Question 3: What kind of media institution might distribute your media product and why?

    Our production company is AX Productions. We produce high budget films aimed at mass worldwide audiences, spanning a wide range of genres, similar to The Kennedy/Marshall Company.

    Our film is distributed worldwide by Focus Entertainment, which distributes high budget films through smaller, local distributors, in this case Infinite Pictures. This is similar to the relationship between Paramount and Icon. The use of local distributors is hugely important because they are vastly experienced experts at distributing films locally, so things like marketing etc. can be area specific.


    Blackout will have a huge worldwide release on the same weekend, which will come after an extensive marketing campaign, which will use TV, internet, radio, symbiotic deals and posters. A premiere will be held in London’s Leicester Square about a week before the worldwide release, attracting publicity by bringing our Hollywood celebrity actors, Hugh Donnelly and Matteo Bragoli, and world renown director Tomas Poffley to the city.


    Exhibition

    Here are the platforms on which Blackout will be exhibited on.

    Exhibition

    Evaluation Question 4: Who would be the audience for this media product?

    Here is a typical member of our target audience.

    - His name is John
    - He is 20
    - He is a student studying at the London School of Economics
    - He has a girlfrined, also 20, who is called Amanda, also studying at the London School of Economics
    - He enjoys going out to bars and nightclubs with his friends
    - He enjoys watching football, and is a chelsea fan
    - He enjoys a wide range of pop music
    - He will typically go to the cinema about once a month, and will watch a blockbuster, and particularly enjoys action, explosions, and gun-porn
    - He doesn't enjoy Rom-Coms


















     



    Primary Audience
    • Male
    • Aged 15-30
    • May not necessarily be a film fanatic, but enjoys going to the cinema
    • Enjoys going out with friends, partying, gaming, sport, and social networking
    • May have an averagely paid job
    • Or be a student
    Secondary Audiences
    • Girls of the same age range, either that enjoy action films themselves or are going with their boyfriends
    • Older/middle aged males who still enjoys action films, gaming etc


    Evaluation Question 5: How did you attract/ address your audience?

    Our primary audience is goes to the cinema relatively often, almost always to watch an action film. They like explosions, guns, fights, chases, and watch films for excitement purposes.

    The events are stereotypical of the genre, so the audience can associate our film with other films they know and like. The setting and characters are very familiar to the target audience, and are recognisable from their everyday lives. This allows them to place themselves in Matt's position, making the sequence much more tense and exciting for them.

    This is especially apparent in the POV shot at the end of the sequence, where the kidnapper looks directly at the audience and then swings his gun down towards them.




    The use of manual focus and tight framing helps to build up enigma, as it masks the identity of the kidnapper. This adds suspense, which gives the audience emotional pleasures, as they can guess that he is a danger to Matt, but don't know anything about him, why he is there, or what he is going to do.

    Friday, March 26, 2010

    Evaluation Question 6: What have you learnt about technologies from the process of constructing this product?

    Here is all the technologies we used while producing our sequence.



    The camera was very easy to handle and very portable, and it’s manual focus function, which I had never attempted to use before, was very useful and very easy to use. It helped hugely in achieving a more professional look, and I would definitely advise anyone doing the same project to use manual focus.
    The editing software (Adobe Premiere CS3) was very useful and easy to use, and I feel that I have gained a lot of confidence it my technical ability, allowing me to edit much more quickly and efficiently.




    I found After Effects much less helpful, which I found difficult to navigate, and didn’t find that I needed to do anything on it that I couldn’t do on Premiere. The one exception to this was tracking the titles, which, no matter how hard we tried, the program didn’t seem to be able to do it accurately and precisely enough. However, in hindsight, tracking titles could have worked, had we left in some longer shots with easy tracking points.


    Thursday, March 25, 2010

    Evaluation Question 7: Looking back at your preliminary task, what do you feel you have learnt in the progression from it to the full product?

    The processes followed for this project were largely the same, but the scale of producing our opening sequence meant that in many ways it was very different. Due to the length of the shots in our sequence, we found that we had to shoot lots more footage, shooting 45 minutes on our test shoot alone, and the editing process took weeks instead of days.

    I also learnt the importance of having a good plan b if something does not go to plan, as we needed to use our plan b due to bad weather on the day of the main shoot.


    I also learnt the importance of storyboarding properly, and referring to it on the shoot. This was especially important for our sequence, due to the number of shots we had, so as not to forget any important shots. 

    I also learnt the importance of working for your group as a team player, and how much more smoothly things will run with good planning and communication as a group. And what a group we were!


    By the way, here is the finished preliminary sequence.

    Wednesday, March 24, 2010

    Final Cut - Blackout

    Wednesday, March 10, 2010

    Editing our final cut

    Tuesday, March 2, 2010

    Main Shoot

    The weather forecasts for the whole weekend were bleak, with on-off showers forecast for both days. We decided that if we got any luck with the weather, and it remained relatively dry, we could reshoot all of the shots with the kidnapper in, so that he could have a different costume, and a couple of the shots of Matt outside. If the weather was as forecast, we would leave me in the same costume, and only reshoot the fight scene, and a few indoor shots of me, for example this one.


    On the day, the weather was terrible, so we had to do the latter. Considering the weather, the shoot was successful, and we got all of the shots we needed. We are now onto editing our main sequence, especially the fight scene. Much of our sequence is remaining almost exactly the same, but the fight scene gave us some trouble to put together (both in shooting and editing).

    Here is our 'making of' video to illustrate this (particularly 1:55 onwards)